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<channel>
	<title>Andrew Lucia</title>
	<link>https://andrewlucia.com</link>
	<description>Andrew Lucia</description>
	<pubDate>Sat, 23 Nov 2024 22:37:18 +0000</pubDate>
	<generator>https://andrewlucia.com</generator>
	<language>en</language>
	
		
	<item>
		<title>home</title>
				
		<link>https://andrewlucia.com/home</link>

		<pubDate>Thu, 01 Mar 2018 21:26:39 +0000</pubDate>

		<dc:creator>Andrew Lucia</dc:creator>

		<guid isPermaLink="true">https://andrewlucia.com/home</guid>

		<description>
	



ENTER



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	<item>
		<title>works</title>
				
		<link>https://andrewlucia.com/works</link>

		<pubDate>Sat, 26 Jan 2019 23:57:19 +0000</pubDate>

		<dc:creator>Andrew Lucia</dc:creator>

		<guid isPermaLink="true">https://andrewlucia.com/works</guid>

		<description>

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	<item>
		<title>Likeness of an Allegory</title>
				
		<link>https://andrewlucia.com/Likeness-of-an-Allegory</link>

		<pubDate>Thu, 14 May 2020 00:40:44 +0000</pubDate>

		<dc:creator>Andrew Lucia</dc:creator>

		<guid isPermaLink="true">https://andrewlucia.com/Likeness-of-an-Allegory</guid>

		<description>Likeness of an Allegory
2021
a project by LUCITO&#38;nbsp;

Client:&#38;nbsp; City of Minneapolis Permanent Collection



PROJECT CREDITSLUCITO, design, fabrication, assembly and installation

Michael Cohen at Schuler Shook, lighting design
Mokeeta, fabrication
TivoliToo Inc., fabrication
W.L.Hall Co., Barrisol scrim and fascia panel installation
VAA, LLC, structural engineering

SPECIAL THANKS TODan PedersonAdam Rosenthal, installation helpZach Cramer, installation helpMiguel Fresco, assembly helpPHOTOGRAPHYPeter J. Sieger



Likeness of an Allegory is a site-specific permanent installation designed for the 6th floor elevator lobby ceiling of the new Minneapolis Public Services Building.&#38;nbsp; LUCITO’s intervention responds to the City’s call for “luminous ceilings” by working with light and its complete absence: a sculptural mass finished in ultra-matte black pigment hovers ominously below an evenly lit ambient field of light.&#38;nbsp; Due to its unique finish, the hovering mass is devoid of surface features, rendering it visible to the human eye only at its edges against the light field above.

While operating at this binary interface between light and dark, LUCITO’s work takes inspiration and cues from Ambrogio Loronzetti’s 14th Century frescoes, The Allegory of Good and Bad Government.&#38;nbsp; In LUCITO’s Likeness of an Allegory, a game of perceptual hide-and-seek plays out as strategically sculpted characteristics and symbolic features of Minneapolis’ past and present reveal themselves to the observant passerby in the lobby below.

Please visit LUCITO for more information.

</description>
		
	</item>
		
		
	<item>
		<title>hull rust</title>
				
		<link>https://andrewlucia.com/hull-rust</link>

		<pubDate>Sat, 27 Oct 2018 14:38:16 +0000</pubDate>

		<dc:creator>Andrew Lucia</dc:creator>

		<guid isPermaLink="true">https://andrewlucia.com/hull-rust</guid>

		<description>Hull Rust and Hibbing Taconite 
Mine View Overlook

2016-present
in progress
a project by LUCITO&#38;nbsp;

︎
The story of the Mesabi Iron Range dates back to prehistory in geological terms. The Hull Rust Mahoning Open Mine Pit, one of the largest open pit mines in the world, has never stopped its expansion since the discovery of iron ore 150 years ago. 
The City of Hibbing, no stranger to the effects of an the expanding mine, was once hailed as “The Town that Moved” in honor of its early 20th century migration. Today, this journey continues coinciding with the relocation of the Hull Rust Mine View Overlook. The new park and visitor center is a recognition of the Mesabi Range’s legacy rooted in geologic and historical circumstances. Please visit LUCITO for more information.

</description>
		
	</item>
		
		
	<item>
		<title>artemisia</title>
				
		<link>https://andrewlucia.com/artemisia</link>

		<pubDate>Thu, 04 Apr 2019 01:06:57 +0000</pubDate>

		<dc:creator>Andrew Lucia</dc:creator>

		<guid isPermaLink="true">https://andrewlucia.com/artemisia</guid>

		<description>Artemisia (2019)opera

Composition by Laura Schwendinger&#38;nbsp;
Libretto by Ginger StrandProjection Design by Andrew Lucia

Dorothea and Artemisiapresented by 
Left Coast Chamber Ensemble
World Premier (Chamber Ensemble)
Z Space, San Francisco
June 1 + 2, 2019
CREDITSMatilda Hofman, conductor
Jenn BeVard, directorMaggie Whitaker, costume designerAllen Willner, lighting designerAndrew Lucia, projectionsAngrette McCloskey, set designElisabeth Reeves, stage manager


CAST
Betany Coffland, ArtemisiaKyle Stegall, TommasoMarnie Breckenridge, SusannaJonathan Smucker, Eldzer 1Igor Vieira, Elder 2Nikki Einfeld, Abra
CHAMBER ENSEMBLEKate Stenberg, violinLeighton Fong, celloStacey Pelinka, fluteLeslie Tagorda, clarinetLoren Mach, percussionConstance Koo, harpAnne Rainwater, piano
Photo Credit: Vivian Sachs



Artemisia, a new opera by Laura Schwendinger with libretto by Ginger Strand, is an opera of passion, betrayal, and art in 17th Century Italy based upon the life of famed painter Artemisia Gentileschi (1593 - c.1656). With projected images that come to life, the opera tackles Gentileschi’s struggles and triumphs as she battles inequality and reveals hidden stories. 


Lucia’s projections reflect

Gentileschi’s tumuluous life and blindness, continually reworking and degrading the artist’s original paintings in real time, allowing the audience to experience Gentileschi's visual decline with her. &#38;nbsp; 

</description>
		
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	<item>
		<title>from the field</title>
				
		<link>https://andrewlucia.com/from-the-field</link>

		<pubDate>Wed, 13 Feb 2019 00:22:49 +0000</pubDate>

		<dc:creator>Andrew Lucia</dc:creator>

		<guid isPermaLink="true">https://andrewlucia.com/from-the-field</guid>

		<description>From the Field (2019)a micro-opera

Composition by Christopher Stark 
Libretto by Megan StarkVisuals by Andrew LuciaDorothea and Artemisiapresented by 
Left Coast Chamber Ensemble
World Premier
Z Space, San FranciscoJune 1 + 2, 2019
CREDITSNikki Einfeld, Dorothea LangeAnna Presler, violinLeighton Fong, violaJenalie Auth, costume designerAllen Willner, lighting designerAndrew Lucia, projectionsElisabeth Reeves, stage managerChristopher Stark, composerMegan Stark, libretto






From the Field,&#38;nbsp;composed by Christopher Stark with Libretto by Megan Stark, is a micro-opera presenting three brief glimpses into specific moments in American history in which the government chose to contradict environmental research it commissioned for financial and/or political gain: Dorothea Lange’s Farm Security Administration photographs of rural poverty during the Great Depression; John Wesley Powell’s 19th-century warning about water usage in the American West; and Nobel Laureate Steve Running’s current research on climate change.&#38;nbsp; 

Taking visual inspiration at its source, Lucia’s projections fuse the actual images, negatives, and field notes of Dorothea Lange, as well as official governmental documents of the time, working them into a highly provocative visual accompaniment to Stark’s experimental opera.&#38;nbsp; 




</description>
		
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		<title>S_JB</title>
				
		<link>https://andrewlucia.com/S_JB</link>

		<pubDate>Sat, 23 Nov 2024 22:37:18 +0000</pubDate>

		<dc:creator>Andrew Lucia</dc:creator>

		<guid isPermaLink="true">https://andrewlucia.com/S_JB</guid>

		<description>
	


&#60;img width="1920" height="2690" width_o="1920" height_o="2690" data-src="https://freight.cargo.site/t/original/i/b6dda7a6bafc9950eee44ee9d709c39f8107af03f1ea89bf4751d1b1a0b86c60/Lucia_S_2022.jpg" data-mid="222332920" border="0"  src="https://freight.cargo.site/w/1000/i/b6dda7a6bafc9950eee44ee9d709c39f8107af03f1ea89bf4751d1b1a0b86c60/Lucia_S_2022.jpg" /&#62;
&#60;img width="1920" height="2690" width_o="1920" height_o="2690" data-src="https://freight.cargo.site/t/original/i/7097d52fa4f4e2bbdf72ca29e2d91a9c76016382963f9e3ad0236f0fdbca2ee4/Lucia_JB_2022.jpg" data-mid="222332919" border="0"  src="https://freight.cargo.site/w/1000/i/7097d52fa4f4e2bbdf72ca29e2d91a9c76016382963f9e3ad0236f0fdbca2ee4/Lucia_JB_2022.jpg" /&#62;




S, 2022artist’s proofcarborundum collagraph



JB, 2022artist’s proofcarborundum collagraph



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	<item>
		<title>language of landscapes</title>
				
		<link>https://andrewlucia.com/language-of-landscapes</link>

		<pubDate>Fri, 02 Mar 2018 05:13:06 +0000</pubDate>

		<dc:creator>Andrew Lucia</dc:creator>

		<guid isPermaLink="true">https://andrewlucia.com/language-of-landscapes</guid>

		<description>
	
THE LANGUAGE OF LANDSCAPES(2015, 2017 w/video)


︎ promotional trailer



Composition by Christopher Stark
 with visuals by Andrew Lucia

Performed by New Morse Code


4.8.22

Hamilton Family Recital HallNewman Center at University of Denver, CO



4.6.22

Sears Recital HallUniversity of DaytonDayton, OH



4.3.22

Lied Center of KansasUniversity of KansasLawrence, KS



3.31.22

Kenan AuditoriumUniversity of North Carolina WilmingtonWilmington, NC



3.30.22

Chandler Recital HallF. Ludwig Diehn Center for the Performing ArtsOld Dominion UniversityNorfolk, VA



11.4.21

Auer Hall, Indiana UniversityBloomington, IN



1.14.20
The Loft Cinema, Tuscon, AZ
6.8.19Re:Sound Festival, Cleveland, OH




	
</description>
		
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	<item>
		<title>language of landscapes album</title>
				
		<link>https://andrewlucia.com/language-of-landscapes-album</link>

		<pubDate>Sat, 23 Nov 2024 21:06:12 +0000</pubDate>

		<dc:creator>Andrew Lucia</dc:creator>

		<guid isPermaLink="true">https://andrewlucia.com/language-of-landscapes-album</guid>

		<description>
	
THE LANGUAGE OF LANDSCAPESlimited edition 12” vinylreleased November 22, 2024





New Morse CodeHannah Collins, celloMichael Compitello, percussionChristopher Stark, electronicsCover photo by Ed WrzesienRemix cover design by Andrew LuciaAlbum design by Christopher StarkRemixes byChris P. ThompsonMuhammad Austin (Mvstermind)Malitzin Cortés (CNDSD)Ryan McNeely (Adult Fur)

The remixes were created by a diverse subset of artists working in different genres: Chris P. Thompson (IDM), Mvstermind (Hip hop), CNDSD (Live coding), and Adult Fur (Rock). These remixes re-contextualize the work while also reflecting Stark’s community and wide-ranging listening practice.


Made possible by the Chamber Music America Classical Commissioning Program, with generous funding provided by The Andrew W. Mellon Foundation, and the Chamber Music America Endowment Fund. This project was further supported by Avaloch Farm Music Institute.

	


album information
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</description>
		
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	<item>
		<title>traces</title>
				
		<link>https://andrewlucia.com/traces</link>

		<pubDate>Sun, 28 Oct 2018 15:02:10 +0000</pubDate>

		<dc:creator>Andrew Lucia</dc:creator>

		<guid isPermaLink="true">https://andrewlucia.com/traces</guid>

		<description>
	
TRACES ON THE FARTHER SIDE
Commissioned by Parthenia Viol Consort, for live or recorded performances of Frances White's A Flower on the farther side. &#38;nbsp;2011
Andrew Lucia, co-director and design.
 Wendy Steiner, co-director and producer. 
Exhibitions:
Venice Biennale

Personal Structures-Identities

Palazzo Bembo, Venice, ItalyMay 11 - November 30, 2019

















Traces
on the Farther Side premiered in live concert at Picture Ray Studios in New York in 2011. 




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Traces on the Farther Side is a commission by Parthenia Viol Consort to accompany live or recorded performances of Frances White's A Flower on the farther side (after Hildegard of Bingen's Alleluia, o virga mediatrix) (2010), a 15-minute composition for four viols and pre-recorded wind and viol sounds. 
                &#38;nbsp;The visual component accompanying this piece is an act of drawing generated in real time by its aural counterpart.&#38;nbsp; The acoustic signal from each performer’s instrument is used as an input that guides the distributed markings along the canvas, making each performance a unique representation of its event. &#38;nbsp;




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